Hamlet Tote Bags
Bard-inspired bags for your stuff
“I could be bounded in a nutshell, and count myself a king of infinite space.”
Hamlet: Act 2, Scene ii.
Hamlet Tote Bags
Design printed on both sides. Soft yet hard-wearing poly poplin fabric. Super-strong, 1 inch-wide cotton shoulder straps. Machine-washable. Choose from small, medium or large sizes.
Prices from: $17.50
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Buy 2 and get 15% off
All tote bags feature original designs created by artists. Fast delivery. No-quibble 90-day refunds. Store powered by RedBubble.
The most helpful book ever for students and teachers of Shakespeare’s Hamlet.
42 x 1,500-word model essaysGet it from Amazon >
Born a prince, parented by a jester, haunted by a ghost, destined to kill a king rather than become one, and remembered as the title character of a play he did not want to be in. If at the cost of his life, Hamlet does in the end “win at the odds.”
His “ambition” for Denmark’s throne leads him to commit one murder only to find that he must plot a second to cover up the first. When this plan fails, his next scheme leads to the death of the woman he loves followed by his own.
“Have you eyes?”, Prince Hamlet demands of his mother. Gertrude‘s “o’erhasty marriage” dooms her life and the lives of everyone around her when her wished-for, happy-ever-after fairytale ends in a bloodbath.
As she struggles to respond to the self-serving purposes of others, Ophelia’s sanity collapses in Elsinore’s “unweeded garden” of falsity and betrayal. Her “self-slaughter” is her revenge for her silencing and humiliation.
By surrendering Denmark to his rival’s son, Hamlet grants to the angry Ghost of his “dear father murdered” the forgiveness his suffering soul needed more than the revenge he demanded.
Uncle and nephew are two men at war with each other—and themselves. Claudius is haunted by the murder he has committed (“O heavy burden!”); Hamlet by the one he hasn’t yet (“Am I a coward?”).
A haunted-by-the-past Hamlet seeks the truth about his father’s death (“Do you see nothing there?”). A live-in-the-present Gertrude seeks to protect her second husband and throne (“No, nothing but ourselves”).
Begins in uncertainty, descends into mutual deceit and rejection, and ends with their double surrender to death: Ophelia, to the water; Hamlet, to Claudius’ rigged fencing duel.
“Those friends thou hast … Grapple them unto thy soul with hoops of steel.” Horatio is Hamlet’s trusted confidant in life and vows to remain the keeper of his memory after the prince’s death.
A marriage of mutual self-interest. Claudius wanted something (the kingship) he did not have; Gertrude had something (the status of queen) she wanted to hold onto.
A king murdered, an inheritance stolen, a family divided: Elsinore’s older generation destroys its younger when two brothers—one living, one undead—battle in a “cursed spite” over a crown and a queen.
Hamlet and Laertes journey from revenge, through obsession and anger, to forgiveness. And the revenge sought by the Ghost on King Claudius becomes the revenge of Old King Fortinbras on Old King Hamlet.
“Who’s there?” The characters struggle to distinguish between truth and falsehood in a play-long triple pun on the verb ‘to act’: to take action, to behave deceitfully, and to perform in theater.