Queen Gertrude in Hamlet character analysis essay: The ‘happily ever after’ of the self-deluding queen descends into a nightmare and ends in a bloodbath.
Three full sample essays on the character of Queen Gertrude in Shakespeare’s Hamlet.
The tragedy of a woman who blinds herself to the evil around her.
The wedding: “Taken to wife”
Why did Gertrude accept Claudius’ offer of marriage?
The royal couple: “I shall obey you”
Gertrude is steadfast and courageous in her loyalty to her second husband.
Hamlet: “Why seems it so particular with thee?”
An affectionate bond— but as different as it is possible for two people to be.
Ophelia:“Your good beauties”
The queen receives a symbolic gift of a plant associated with regret.
Conclusion: “I am poison’d”
Truth seen too late. Gertrude pays the ultimate price for her self-delusion.
Gertrude’s storyline can be summarized as follows: the remarried widow and decorous monarch (“Enter Claudius, King of Denmark; Gertrude the Queen; and others”, 1.2); the affectionate mother (“Come hither, my dear Hamlet, sit by me”, 3.2); the briefly self-aware spouse to a magnetic but dangerous man (“O Hamlet … Thou turn’st mine eyes into my very soul”, 3.4); the woman who sees too late the true character of the man she married (“O my dear Hamlet—The drink, the drink! I am poison’d”, 5.2); and, finally, the wife betrayed by a husband who loved ambition more than her (“She swoons to see them bleed”, 5.2). In this essay, I will give my opinions on Gertrude: queen, wife, mother and, ultimately, tragic heroine.
#Hamlet's Queen Gertrude - Her 'happily ever after' descends into a nightmare.
Although she later admits what Prince Hamlet calls her “within a month” (1.2) remarriage was “o’erhasty” (2.2)—and also insensitive to her son’s grief and political ambitions—I can understand why the practically-minded Gertrude made the decision she did at the time she did.
With an invasion threatened from Norway, it must have seemed that accepting the hand in marriage of her charismatic and commanding brother-in-law solved all her problems at once. Towards his nephew and stepson, Claudius shows only consideration and warmth, urging Prince Hamlet in 1.2 to “think of us / As of a father”, to remain at Elsinore “in the cheer and comfort of our eye” and with the assurance that he is “most immediate to our throne”.
#Hamlet - a marriage of evil (Claudius) and self-deluding naivety (Gertrude).
One of the play’s great ironies is that the person most continually accused by Prince Hamlet of fickle disloyalty—“Frailty thy name is woman” (1.2)—is, in fact, the most loyal character of all. Up until the very last scene, she remains steadfastly at the side of the man she married.
When in 4.5 an angry, castle-storming mob shouts out “Laertes shall be king!”, she responds unhesitatingly with: “O, this is counter, you false Danish dogs!” She confronts the sword-wielding Laertes when she fears for the king’s safety and defends him from any part in Polonius’ death (“But not by him”). These are not the actions of a merely decorous trophy wife but of a woman who fulfills Claudius’ description of her as the “imperial jointress to this warlike state” (1.2).
"Frailty"? Queen Gertrude is in fact the most loyal character in #Hamlet.
Queen Gertrude is a person who seeks to smooth over everything without thinking too deeply; her son is an introspective scholar who cannot but think deeply about everything. Hamlet delights in wordplay. She is direct in her speech and is the only character to tell the bombastic Polonius to come to the point—“More matter, less art” (2.2).
Prince Hamlet’s ranting against “bloat king” in the closet scene of 3.4 produces a rare moment of self-awareness in Gertrude: “Thou turn’st mine eyes into my very soul.” But Hamlet’s conversation with the Ghost, who is visible only to him, diminishes her son’s credibility in Gertrude’s eyes—“Alas, he’s mad!” It must seem to her that she has gained a new husband at the cost of losing her son to insanity.
Prince #Hamlet to his mother, Queen Gertrude: "Have you eyes?"
We do not know if Gertrude follows Hamlet’s direction to shun her husband’s bed: “Assume a virtue if you have it not” (3.4). But the changing nature of her relationship with Polonius’ daughter suggests that something inside her has changed. Gertrude’s words to Ophelia in 2.1 of her hopes that “That your good beauties be the happy cause / Of Hamlet’s wildness” are those of someone with a romantic even simple-minded view of life.
But when confronted in 4.5 with Ophelia’s madness, Gertrude speaks of the “guilt” in her “sick soul.” I suspect that when the traumatized Ophelia offers her a symbolic gift of rue—a plant associated with sadness and regret—Gertrude was already reflecting ruefully on all the calamity and unhappiness has followed from her remarriage.
#Hamlet - Over Ophelia's grave, Gertrude sees her future slipping away from her.
In a play where so many characters set out to deceive one another, Gertrude is a person who deceives only herself. Nowhere is her naivety more pathetically apparent than in the final scene. She thinks she is about to watch a non-lethal fencing match of honor between Laertes and Hamlet—a “brother’s wager” (5.2). In reality, she is soon to witness the murder of her beloved son.
Gertrude pays the ultimate price for her tragic self-delusion—but not before she finally confronts the reality of her husband’s true character. In the end, it is Gertrude’s rather than King Hamlet’s death from Claudius’ poison that moves Prince Hamlet to murder the usurping uncle who “killed my king and whored my mother” (5.2).
#Hamlet's Queen Gertrude - She sees the truth about her husband when it is too late.
Born a prince, parented by a jester, haunted by a ghost, destined to kill a king rather than become one, and remembered as both the tragic hero and victim of a story he did not want to be in.
His “ambition” for Denmark’s throne leads him to commit one murder only to find that he must plot a second to cover up the first. When this plan fails, his next scheme leads to the death of the woman he loves.
Ophelia’s sanity is overwhelmed by Elsinore’s maddening world of deception and betrayal. Her “self-slaughter” is her revenge against everyone who dismissed, silenced and humiliated her.
By surrendering Denmark to his rival’s son, Hamlet grants to the angry Ghost of his “dear father” the forgiveness his suffering soul needed more than the revenge he demanded.
The relationship between uncle and nephew begins with mutual suspicion and dislike, escalates into a psychological battle of wits and ends with defeat for both and victory for the rival kingdom of Norway.
Gertrude’s marriage to Claudius and her collusion with the prince’s confinement at Elsinore creates a barrier between mother and son who are as different from one another as is humanly possible.
Begins in uncertainty, descends into mutual deceit and rejection, and ends with their double surrender to death: she to the water, he to Claudius’ rigged fencing duel.
A genuine friendship in an Elsinore poisoned by betrayal. But does Hamlet exploit his friend’s loyalty with his improbable tale of divinely-inspired rescue by pirates?
A marriage of practical interest: Claudius wanted something (the kingship) he did not have; Gertrude had something (the role of queen) she wanted to hold onto.
Deception, revenge, madness, corruption, decay and death – all shaped by destiny. A prince is left with an impossible choice when his uncle chooses murder and his mother chooses self-delusion.
Two young men journey from revenge, through madness and anger, to forgiveness. An opportunist claims an empty throne. And a restless Ghost is granted atonement for his sins by his kingdom-surrendering son.
‘Seems’ and ‘is’ are as far apart as Rosencrantz and Guildenstern are similar in a play-long triple pun on the verb ‘to act’: to take action, to play a false role, and to perform in theater.